Marta Fumagalli, mezzosoprano, graduated with honors in Modern Literature, in February 2009 achieved the Diploma at Conservatorio di Musica “G. Verdi” in Como, under the supervision of soprano Cristina Rubin. In 2022, she attended the annual baroque singing masterclass at the highly specialized Polo Nazionale Artistico in Verona, with the contralto Sonia Prina.
Actually, she studies with Roberto Balconi at Conservatorio ‘G. Cantelli’ in Novara.
She collaborates regularly in particular with baroque music ensembles (Cappella Neapolitana, Coro e Orchestra Ghislieri, Homme Armé, La Florida Cappella, La Risonanza, Orchestra Nazionale Barocca dei Conservatori, Festina Lente, Vox Luminis, La Venexiana, Le Concert des Nations, Coro RSI/I Barocchisti, Les Musiciens du Louvre, Il canto di Orfeo, LaVerdi Barocca, Atalanta Fugiens, Cantar Lontano, Ensemble Salomone Rossi, La Divina Armonia, Dolce e Tempesta, Accademia degli Erranti, Allabastrina Ensemble) and, as soloist, she performs in Italy and abroad (Festival Cantar di Pietre, FloReMus, Festival Oude Muziek Utrecht, Teatro Fraschini, Teatro alla Scala, Rioja Forum Logrono, Innsbrucker Hofmusik Festival, Napoli Musica Sacra Festival, Concerti al Cenacolo, Novecento, Fondazione Pergolesi Spontini, Festival MiTo, Centre Lyrique Clermont-Ferrand, Osterfestival Tirol, FéMas Sevilla, De Singel Anversa, Wratislavia Cantans, Rencontres Musicales de Vézelay, Festival Antiqua Bolzano, Intra Muros Festival, Suoni d’Arte, Teatro Petruzzelli di Bari, Teatro G. Verdi di Pordenone, Muziekgebouw aan ’t IJ Amsterdam, San Sebastian Kursaal, De Oosterpoort Groningen, Concertzaal Tilburg, Tivoli Vredenburg Utrecht, Muziekgebouw Eindhoven, Rossi Festival Belgrado, Valletta International Baroque Festival, Intrecci Barocchi – Torino, Roma Festival Barocco, Festival d’Ambronay, Festival Les Nuits de Septembre, Internationale Händel-Festspiele Göttingen, Misteria Paschalia, De Bijloke Gent, Associazione Scarlatti Napoli, Società del Quartetto di Milano, Festival Purtimiro, Festival de La Chaise-Dieu, Festival de Rocamadour, Ravenna Festival, Barockfestival S. Pölten, Teatro Regio di Torino, Het Concertgebouw Amsterdam, Concerti del Quirinale, Festival Milano Musica, Sicut Sagittae, Festival Monteverdi Cremona, Auditorium de Lyon, Gran Teatre del Liceu Barcellona, Arsenal Metz, Festival des Abbayes en Lorraine, Festival Barocco Boliviano, Philharmonie Paris, Pavia Barocca, Bozar Music, LaVerdi Barocca, Festival Baroque du Pays du Mont Blanc, Oh! Festival, Festival de l’Haut Jurà, Festival AMUZ, George Enescu Festival Bucarest, Saison Musicale de Royaumont, Festival de Sablé, Semana de Musica Religiosa de Cuenca, Musikfest, Seviqc Brezice, Festival Freunde alter Musik, Internasjonale Kirkemusikkfestival Oslo, Salzburger Bachgesellschaft, Centro di Musica Antica Pietà de’ Turchini, Clasicos en Alcalà).
In June 2018, she wins the Diapason D’Or Decouvérte award for the CD of the Mass in D Major by G. B. Pergolesi, recorded with Coro e Orchestra Ghislieri conducted by G. Prandi, for the Arcana-Outhere Music label.
Recently, several records are released featuring her: M. da Gagliano, ‘La Flora’ (Allabastrina ensemble, E. Sartori), for Glossa Music, G. F. Handel, ‘Italian cantatas’ (Ensemble Fantazyas, R. Balconi) for Brilliant Classic, B. Marcello, ‘Psalms and Sonatas’ (Ensemble Salomone Rossi, L. Cevidalli), A. Nola, ‘Tristes erant Apostoli’ (Cappella Neapolitana, A. Florio) and C. Arrigoni, ‘Tiranni affetti’ (Accademia degli Erranti), both for Dynamic; A. Giannettini, ‘L’Uomo in Bivio’ (Cantarlontano, M. Mencoboni), G. Bononcini, Oratorio ‘La conversione della Maddalena’ (La Venexiana, G. Palomba), L. Rossi, Orfeo (Allabastrina Ensemble, E. Sartori) for Glossa Music.
She’s member of the professional Musical Chapel of the Basilica of S. Maria Maggiore in Bergamo, directed by C. Gentilini.
She collaborates, both continuously and upon request, with various choral ensembles as professional vocal coach.